Out-of-Body FAQ
How to Induce an OBE?
Imagery Techniques
It is possible to use imagery alone but it requires considerable
skill.
a) Lie on your back in a comfortable position and relax. Imagine
that you are floating up off the bed. Hold that position, slightly
lifted, for some time until you lose all sensation of touching the
bed or floor. Once this state is achieved move slowly into an upright
position and begin to travel away from your body and around the
room. Pay attention to the objects and details of the room. Only
when you have gained some proficiency should you try to turn round
and look at your own body. Note that each stage may take months
of practice and it can be too difficult for any but a practiced
OBEer.
b) In any comfortable position close your eyes and imagine that
there is a duplicate of yourself standing in front of you. You will
find that it is very hard to imagine your own face, so it is easier
to imagine this double with its back to you. You should try to observe
all the details of its posture, dress (if any) and so on. As this
imaginary double becomes more and more solid and realistic you may
experience some uncertainty about your physical position. You can
encourage this feeling by comtemplating the question 'Where am I?',
or even other similar questions 'Who am I?' and so on. Once the
double is clear and stable and you are relaxed, transfer your consciousness
into it. You should then be able to 'project' in this phantom created
by your own imagination. Again, each stage may take long practice.
Inducing a Special Motivation to Leave the Body
You can trick yourself into leaving your body according to Muldoon
and Carrington [MC29]. They suggested that if the subconscious desires
something strongly enough it will try to provoke the body into moving
to get it, but if the physical body is immobilized, for example
in sleep, then the astral body may move instead. Many motivations
might be used but Muldoon advised against using the desire for sexual
activity which is distracting, or the harmful wish for revenge or
hurt to anyone. Instead he advocated using the simple and natural
desire for water -- thirst. This has the advantages this it is quick
to induce, and it must be appeased.
In order to employ this technique, you must refrain from drinking
for some hours before going to bed. During the day increase your
thirst by every means you can. Have a glass of water by you and
stare into it, imagining drinking, but not allowing yourself to
do so. Then before you retire to bed eat 'about an eighth of a teaspoonful'
of salt. Place the glass of water at some convenient place away
from your bed and rehearse in your all the actions necessary to
getting it, getting up, crossing the room, reaching out for it,
and so on. You must then go to bed, still thinking about your thirst
and the means of satisfying it. The body must become incapacitated
and so you should relax, with slow breathing and heart rate and
then try to sleep. With any luck the suggestions you have made to
yourself will bring about the desired OBE. This is not one of the
most pleasant or effective methods.
Ophiel's 'Little System'
Ophiel [Oph61] suggests that you pick a familiar route, perhaps
between two rooms in your house, and memorize every detail of it.
Choose at least six points along it and spend several minutes each
day looking at each one and memorizing it. Symbols, scents and sounds
associated with the points can reinforce the image. Once you have
committed the route and all the points to memory you should lie
down and relax while you attempt to 'project' to the first point.
If the preliminary work has been done well you should be able to
move from point to point and back again. Later you can start the
imaginary journey from the chair or bed where your body is, and
you can then either observe yourself doing the movements, or transfer
your consciousness to the one that is doing the moving.
Ophiel describes further possibilities, but essentially if you
have mastered the route fully in your imagination you will be able
to project along it and with practice to extend the projection.
Ophiel states that starting to move into OBE will produce strange
sounds. He says that this is because the sense of hearing is not
carried over onto the higher planes, and that means that your mind
tries to recreate some input, and just gets subconscious static.
He asserts that the noises can take any form, including voices,
malevolent, eerie, and get worse and worse, more and more disturbing,
until eventually they peak and then just fade to a constant background
hiss while one has OBE. Apparently, his 'final noise' sounded like
his water heater blowing up. He says, anyway, to ignore the noises,
voice or otherwise, as they are only static or subconscious rambling,
and do not represent any being in any way, not even the self really.
The Christos Technique
G. M. Glasking, an Australian journalist, popularized this technique
in several books, starting with Windows of the Mind [Gla74]. Three
people are needed: one as subject, and two to prepare him. The subject
lies down comfortably on his back in a warm and darkened room. One
helper massages the subject's feet and ankles, quite firmly, even
roughly, while the other take his head. Placing the soft part of
his clenched fist on the subject's forehead he rubs it vigorously
for several minutes. This should make the subject's head buzz and
hum, and soon he should begin to feel slightly disorientated. His
feet tingle and his body may feel light or floaty, or changing shape.
When this stage is reached, the imagery exercises begin. The subject
is asked to imagine his feet stretching out and becoming longer
by just an inch or so. When he says he can do this he has to let
them go back to normal and do the same with his head, stretching
it out beyond its normal position. Then, alternating all the time
between head and feet, the distance is gradually increased until
he can stretch both out to two feet or more. At this stage it should
be possible for him to imagine stretching out both at once, making
him very long indeed, and then to swell up, filling the room like
a huge balloon. All this will, of course, be easier for some people
than others. It should be taken at whatever pace is needed until
each stage is successful. Some people complete this part in five
minutes, some people take more than fifteen minutes.
Next he is asked to imagine he is outside his own front door. He
should describe everything he can see in detail, with the colors,
materials of the door and walls, the ground, and the surrounding
scenery. He has then to rise above the house until he can see across
the surrounding countryside or city. To show him that the scene
is all under his control he should be asked to change it from day
to night and back again, watching the sun set and rise, and the
lights go on or off. Finally he is asked to fly off, and land wherever
he wishes. For most subjects their imagery has become so vivid by
this stage that they land somewhere totally convincing and are easily
able to describe all that they see.
You may wonder how the experience comes to an end, but usually
no prompting is required; the subject will suddenly announce 'I'm
here,' or 'Oh, I'm back,' and he will usually retain quite a clear
recollection of all he said and experienced. But it is a good idea
to take a few minutes relaxing and getting back to normal. It is
interesting that this technique seems to be very effective in disrupting
the subject's normal image of his body. It then guides and strengthens
his own imagery while keeping his body calm and relaxed.
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Copyright Jouni A. Smed
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